I am a scholar of African Diaspora cultural studies, which means I spend a lot of time analyzing texts in various forms: books, art, film, music, and even laws and legal documents. The cultural texts I study were produced by people. I am passionate about Black popular culture, because it dismantles some of the enduring divisions between academic institutions and the people who live beyond their walls. It is a field of study that is always in flux, especially now with twenty-first-century advances that position popular culture as almost always at our fingertips.
I edited...
Are You Entertained?: Black Popular Culture in the Twenty-First Century
The advent of the internet and the availability of social media and digital downloads have expanded the creation, distribution, and consumption of Black cultural production as never before. At the same time, a new generation of Black public intellectuals who speak to the relationship between race, politics, and popular culture has come into national prominence. The contributors to Are You Entertained? address these trends to consider what culture and blackness mean in the twenty-first century's digital consumer economy.
In this collection of essays, interviews, visual art, and an artist statement the contributors examine a range of topics and issues, from music, white consumerism, cartoons, and the rise of Black Twitter to the NBA's dress code, dance, and Moonlight. Analyzing the myriad ways in which people perform, avow, politicize, own, and love blackness, this volume charts the shifting debates in Black popular culture scholarship over the past quarter-century while offering new avenues for future scholarship.
I am recommending this book, because it is the first edited volume, and, really, the first academic book to directly engage black popular culture as a field of study. It was avant-garde. It gave a name to cultural productions that, at that time, during my first semester of graduate school in 1997, I had no idea had a collective name. I love this book, because I encountered it simultaneously to learning concepts like “high” and “low” art. The book, in my opinion, made a compelling argument for why the popular, the folk, the vernacular, and so-called “low” art matters.
I am recommending this book because it is a foundational text in Black film studies. Guerrero focuses primarily on the 1970s-1990s, but he also articulates how early U.S. films like Birth of a Nation set the stage for how African Americans would be portrayed on screen from that point forward. I love this book, because it is one of the earliest studies that charted the emerging tropes, conventions, and challenges of representation as African Americans gained more opportunities on the screen and behind it.
From D.W. Griffith's The Birth of a Nation to Spike Lee's Malcolm X, Ed Guerrero argues, the commercial film industry reflects white domination of American society. Written with the energy and conviction generated by the new black film wave, Framing Blackness traces an ongoing epic-African Americans protesting screen images of blacks as criminals, servants, comics, athletes, and sidekicks.
These images persist despite blacks' irrepressible demands for emancipated images and a role in the industry. Although starkly racist portrayals of blacks in early films have gradually been replaced by more appealing characterizations, the legacy of the plantation genre lives on in…
I am recommending this book because it took me back to Wallace and Dent’s Black Popular Culture when I was struggling to understand why my doctoral program frowned upon interdisciplinarity. This book helped me understand why I was not interested in just writing literary criticism. It gave me methodological tools and language to articulate why the research I wanted to do matters. Importantly, it also gave me a definition of the term “post-soul” that during the early 2000s was bandied about but rarely defined. I love this book because Neal was the first scholar I encountered who unapologetically claimed to be a scholar of Black popular culture.
In Soul Babies, Mark Anthony Neal explains the complexities and contradictions of black life and culture after the end of the Civil Rights era. He traces the emergence of what he calls a "post-soul aesthetic," a transformation of values that marked a profound change in African American thought and experience. Lively and provocative, Soul Babies offers a valuable new way of thinking about black popular culture and the legacy of the sixties.
I am recommending this book because I fell in love with the way duCille weaves cultural critique and personal experience in one of her earlier books, Skin Trade. The invention of streaming services has made televisual representation more accessible, which can be both good and bad. I love how this book demonstrates the way in which culture informs the lived experience and the way in which lived experiences can shape culture. And duCille is an excellent storyteller.
From early sitcoms such as I Love Lucy to contemporary prime-time dramas like Scandal and How to Get Away with Murder, African Americans on television have too often been asked to portray tired stereotypes of blacks as villains, vixens, victims, and disposable minorities. In Technicolored black feminist critic Ann duCille combines cultural critique with personal reflections on growing up with the new medium of TV to examine how televisual representations of African Americans have changed over the last sixty years. Whether explaining how watching Shirley Temple led her to question her own self-worth or how televisual representation functions as a…
This book focuses mostly on literary criticism, but I chose it because of the theoretical work Alexander does in defining “the black interior.” The concept of the black interior unpacks the ways in which Black bodies and blackness have been devalued and dehumanized. This book and its theoretical underpinnings insist upon recoupling the “human” with blackness. I love how the book challenges viewing and spectatorship and calls upon readers to recognize black life and creativity beyond stereotypes that guide the limited imaginations of the dominant culture that relentlessly misrepresents and maligns blackness.
Legendary poet Elizabeth Alexander turns her finely-honed sensibilities to the subject of blackness and the interior world of the modern African-American. Intelligent, perceptive and keenly observed, this collection of essays traces a thoughtful path through music, poetry and the outstanding social issues of the last 200 years to synthesise a remarkable picture of the modern African-American psyche. From Langston Hughes to the Rodney King video, Alexander leads her reader effortlessly over the complex terrain of art and politics to a new vision of the black interior.
Noam Chomsky has been praised by the likes of Bono and Hugo Chávez and attacked by the likes of Tom Wolfe and Alan Dershowitz. Groundbreaking linguist and outspoken political dissenter—voted “most important public intellectual in the world today” in a 2005 magazine poll—Chomsky inspires fanatical devotion and fierce vituperation.
In The Chomsky Effect, Chomsky biographer Robert Barsky examines Chomsky's positions on a number of highly charged issues—including Vietnam, Israel, East Timor, and his work in linguistics—that illustrate not only “the Chomsky effect” but also “the Chomsky approach.”
Chomsky, writes Barsky, is an inspiration and a catalyst. Not just an analyst or advocate, he encourages people to become engaged—to be “dangerous” and challenge power and privilege. The actions and reactions of Chomsky supporters and detractors and the attending contentiousness can be thought of as “the Chomsky effect.”
The Chomsky Effect: A Radical Works Beyond the Ivory Tower
"People are dangerous. If they're able to involve themselves in issues that matter, they may change the distribution of power, to the detriment of those who are rich and privileged."--Noam Chomsky
Noam Chomsky has been praised by the likes of Bono and Hugo Chávez and attacked by the likes of Tom Wolfe and Alan Dershowitz. Groundbreaking linguist and outspoken political dissenter--voted "most important public intellectual in the world today" in a 2005 magazine poll--Chomsky inspires fanatical devotion and fierce vituperation. In The Chomsky Effect, Chomsky biographer Robert Barsky examines Chomsky's positions on a number of highly charged issues--Chomsky's signature issues,…
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